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Tapio Lokki and Jukka Pätynen
The purpose of this paper is to spark discussions on the recent trends of designing vineyard and surround-type concert halls. We understand that these halls could be architecturally unique and many conductors like them, however, as outlined in this paper...
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Evan Green and Eckhard Kahle
In musical perception, a proportion of the reflected sound energy arriving at the ear is not consciously perceived. Investigations by Wettschurek in the 1970s showed the detectability to be dependent on the overall loudness and direction of arrival of re...
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Robert Harris
Following the significant number of new shoebox-type halls that opened in the last decades of the 20th century, the first decades of the 21st century have seen large concert hall design and construction dominated by halls in a surround format. This typol...
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Salvador Cerdá, Jaume Segura, Alicia Giménez, Arturo Barba and Rosa Cibrián
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Jerald R. Hyde
Current discussions on the objective attributes contributing to concert hall quality started formally in 1962 with the publication of Leo Beranek?s book ?Music, Acoustics, and Architecture?. From his consulting work in the late 1950s, Beranek determined ...
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Mike Barron
After the war, there was a general understanding of reverberation time (RT), including how to measure it and its significance, as well as its link to a state of diffusion. Reverberation refers to a property of late sound; there was an appreciation that e...
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Barteld N. J. Postma, Evan Green, Eckhard Kahle and Brian F. G. Katz
Prior to Sabine?s work on the Fogg Art Museum and Boston Symphony Hall, several numerical guidelines had been developed and applied to the design of rooms with specific acoustic demands such as theatres, concert halls, and opera houses. Previous papers h...
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Louena Shtrepi, Sonja Di Blasio and Arianna Astolfi
Diffusive surfaces are considered as one of the most challenging aspects to deal with in the acoustic design of concert halls. However, the acoustic effects that these surface locations have on the objective acoustic parameters and on sound perception ha...
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Beata Majerska-Palubicka and Elzbieta Latusek
The article concerns the issue of intelligence-based design, which, during the design process undertaken by architects, signifies (according to the authors of the article) thinking about perceptual involvement in the built environment, designing together...
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Rupert Till
This paper explores the acoustics of three UNESCO World Heritage Sites: five caves in Spain that feature prehistoric paintings that are up to 40,000 years old; Stonehenge stone circle in England, which is over 4000 years old; and Paphos Theatre in Cyprus...
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