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Alexandre Baril
Pág. 16 - 44
A` partir d?une perspective queer, transactiviste et intersectionnelle et mobilisant une méthodologie fondée sur une généalogie critique, le présent texte transpose le concept de la « temporalité crip» (« crip time») aux personnes trans et aux minorités ...
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Alexandre Baril
Pág. 16 - 44
A` partir d?une perspective queer, transactiviste et intersectionnelle et mobilisant une méthodologie fondée sur une généalogie critique, le présent texte transpose le concept de la « temporalité crip» (« crip time») aux personnes trans et aux minorités ...
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Bridget Liang, Catherine Duchastel de Montrouge
Pág. 1 - 9
The making of this special issue saw us living in crip time, working through crip time, and reflecting on the pace of academic projects and collaborations with other disabled folks. More than this, we realized crip time made it possible for this special ...
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Derek Newman-Stille
Pág. 73 - 95
Slash fiction is perceived by scholars like Henry Jenkins as capable of presenting a counterhegemonic message that critically questions and disrupts power structures in the production of fiction. Slash fiction presents a critical queering of characters, ...
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Stephen Fernandez
Pág. 1 - 30
This paper attends to the making of crip performance in the 2015 production of Disabled Theater in Toronto, where eleven performers with intellectual and physical disabilities took to the stage to perform a series of dance solos set to popular music. The...
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Tonya Rae Chrystian
Pág. 179 - 196
Disability theatre has a complex Canadian history according to disability studies scholar Kirsty Johnson, and ?Canadian artists with disabilities have found many and provocative ways to ?get on stage?? (Johnson 4). The formation of disability art and the...
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Maria Karmiris
Pág. 204 - 222
With the support of the work of scholars in critical disability studies, crip theory, and poststructuralism, my intention in this paper is to explore some narrative fragments of my experiences teaching ?Leonard? and the ways we both accepted and resisted...
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Joshua St. Pierre, Danielle Peers
Pág. 1 - 11
Stories about us are boring. As predictable and ubiquitous as they are dangerous, normate narrations of our lives are as straight as they come: one-dimensional narratives of tragic loss and/or progressive normativity. We are dying or overcoming. We becom...
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Margaret Price, Stephanie L. Kerschbaum
Pág. 18 - 56
In this article, written in a combination of collaborative and singular voices, we tell the stories of shaping an interdependent crip methodology while conducting a qualitative interview study with 33 disabled faculty members. Our central argument is tha...
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Jessica L. Benham, James S. Kizer
Pág. 77 - 113
Narratives of the Autistic experience are often told, interpreted, and assigned value by people who are not Autistic, allowing dominant cultural understandings of Autism to pervade without substantial inquiry. In academia, a space in which there is littl...
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Eliza Chandler
Pág. 114 - 118
Alison Kafer?s Feminist, Queer, Crip makes important interventions into feminist theory, queer theory, and disability studies by bringing disability to bear on feminist and queer theoretical frameworks and addressing how disability is figured in and thro...
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Katherine Araniello
CLICK HERE TO EXPERIENCE THE SICK, BITCH, CRIP VIDEOSick Bitch Crip (SBC) is a guise and a persona that has a voice and an inflated personality. She demands to be visible, placing herself anywhere she can within social media, digital images and short fil...
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Maria Karmiris
Pág. 204 - 222
With the support of the work of scholars in critical disability studies, crip theory, and poststructuralism, my intention in this paper is to explore some narrative fragments of my experiences teaching ?Leonard? and the ways we both accepted and resisted...
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Joshua St. Pierre, Danielle Peers
Pág. 1 - 11
Stories about us are boring. As predictable and ubiquitous as they are dangerous, normate narrations of our lives are as straight as they come: one-dimensional narratives of tragic loss and/or progressive normativity. We are dying or overcoming. We becom...
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Margaret Price, Stephanie L. Kerschbaum
Pág. 18 - 56
In this article, written in a combination of collaborative and singular voices, we tell the stories of shaping an interdependent crip methodology while conducting a qualitative interview study with 33 disabled faculty members. Our central argument is tha...
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Jessica L. Benham, James S. Kizer
Pág. 77 - 113
Narratives of the Autistic experience are often told, interpreted, and assigned value by people who are not Autistic, allowing dominant cultural understandings of Autism to pervade without substantial inquiry. In academia, a space in which there is littl...
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Stephen Fernandez
Pág. 1 - 30
This paper attends to the making of crip performance in the 2015 production of Disabled Theater in Toronto, where eleven performers with intellectual and physical disabilities took to the stage to perform a series of dance solos set to popular music. The...
ver más
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Tonya Rae Chrystian
Pág. 179 - 196
Disability theatre has a complex Canadian history according to disability studies scholar Kirsty Johnson, and ?Canadian artists with disabilities have found many and provocative ways to ?get on stage?? (Johnson 4). The formation of disability art and the...
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Esther Ignagni, Eliza Chandler, Kim Collins, Andy Darby, Kirsty Liddiard
Pág. 293 - 320
Together we engaged in a project to co-design and co-create a fictional near-future world that would enable us to interrogate our present techno-social dilemmas. Accessibility was central to our workshop for the way that access is always central to...
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