Resumen
This paper will explore how I attempt to ?disable? the museum through curating my third exhibition containing disability-related content, that I consider to be part of my work as a radical, infrastructural activist: Cripping Cyberspace: A Contemporary Virtual Art Exhibition (2013) hosted by and in conjunction with the Common Pulse Intersecting Abilities Art Festival and Symposium and the Canadian Journal of Disability Studies. The space for this exhibition offers a new experimental virtual platform hosted by an online journal. I argue that part of the decolonizing work of disability studies is to offer opportunities to both curators and artists where their work can be displayed within unconventional gallery settings (such as the virtual platform) in order to ?crip? art history and contemporary art practice.